Panóptico de Actualidad Gráfica y Visual
Whether he’s creating a tongue-in-cheek campaign encouraging gamers to go outside, or drawing his distinctive cast of blocky, brightly coloured characters, Jason Saffer’s work shares an infectious sense of optimism. Across his graduate portfolio, branding, typography, motion and illustration are treated less as separate disciplines than tools to be combined in service of an idea. As is often the… Source...
The post-production industry is in huge flux, with major studios closing on a frighteningly rapid basis. But, says Pod Ldn founder Adrienn Major, there are ways to restructure to meet the contemporary needs of brands and businesses...
The north London-based club has gone all in on fan co-creation, building one of football’s most authentic and distinctive brands in the process...
Instagram has launched its first major design shift since 2016. The rollout of the design has so far focused largely on its new wordmark, which was revealed initially by Instagram’s head, Adam Mosseri, on the social platform, accompanied by a simple paragraph: “The wordmark at the top of the app hasn’t changed in 10 years, so it was time for...
Porter Airlines has become renowned for its elevation of the economy airline experience via small details such as free drinks (served in glassware, no less), snacks and no middle seats. Last year, this insight was turned into a brand platform, The Little Things, which has now been extended into a set of objects. Working with Toronto-based independent agency Academy, Porter...
Wang approaches illustration as a way to communicate emotion. Here, he tells CR why curiosity, ambiguity and lived experience matter more than style...
Sydney-based creative agency Bear Meets Eagle on Fire has unveiled its recent rebrand of Australian sound and music studio Rumble, following the studio’s decision to emphasise the critical role of sound in storytelling through its own branding. Under the aptly titled new brand positioning, ‘Sound is Story’, the team at Bear Meets Eagle on Fire devised a fresh visual identity...
As brands fight to remain relevant and memorable in an AI-driven world, custom typography is no longer a luxury but a strategic necessity, says Tom Foley, creative type director at Studio Drama...
Brazil is often associated with carnival colours and energy. But for Tátil Design’s global CCO Ricardo Bezerra, the country’s real creative advantage lies in its ability to absorb and transform outside influences into something new...
In an unexpected collaboration, beverage brand Liquid Death has teamed up with personal hygiene brand Goodwipes to launch a limited-edition pack of wipes, inspired by the former’s sCREAM Soda drink. Strange though the union may seem, Meredith Diehn, SVP of marketing at Goodwipes, says it was “always destined to happen”. Negotiated by partnership agency SonderCo, the project is in fact...
You know it’s silly season when you’re sent a video of a giant hairball rolling down the streets of Manhattan. The 10ft high ball is apparently made of real human hair (ew!) and was created by Uncommon Creative Studio for K18 to represent the “167 billion hairs New Yorkers lose to shedding”. Named ‘Tumblehair’, the art piece has rolled across...
As End of the Road turns 20, the festival’s director and curator reflects on an enduring creative vision, and why discovery remains its greatest asset...
