creativereview

The lesser-told histories of Belgian graphic design

Certain European countries have, over time, become synonymous with a particular style or quality of graphic design: Switzerland is perhaps the most obvious example, while Dutch graphic design has come to connote exemplary 20th century corporate identity work. In comparison, we know relatively little about 20th century Belgian graphic design — despite a rich, bold history in pushing boundaries across...

creativereview

The lesser-told histories of Belgian graphic design

Certain European countries have, over time, become synonymous with a particular style or quality of graphic design: Switzerland is perhaps the most obvious example, while Dutch graphic design has come to connote exemplary 20th century corporate identity work. In comparison, we know relatively little about 20th century Belgian graphic design — despite a rich, bold history in pushing boundaries… Source...

creativereview

Reimagining the cover art for club classic Groovejet (If This Ain’t Love)

Every once in a while, a record comes along which is destined to be the song that eternally gets people onto the dancefloor. Featuring the unmistakable vocals of Sophie Ellis-Bextor, Italian DJ/producer Spiller’s noughties classic Groovejet (If This Ain’t Love) is undoubtedly one of those tracks. Originally released in 2000, the single was acquired by Defected Records last year, and...

creativereview

A new Fondation Cartier exhibition traces Graciela Iturbide’s 50-year career

Autorretrato, Desierto de Sonora, México, 1979. All images courtesy Fondation Cartier Graciela Iturbide has been taking pictures since the early 70s, having originally enrolled as a film student before she discovered photography. Over the course of the decade, she photographed many Indigenous Mexican communities, in some cases living amongst them for extended periods of time, or returning to build strong...

creativereview

A new Fondation Cartier exhibition traces Graciela Iturbide’s 50-year career

Autorretrato, Desierto de Sonora, México, 1979. All images courtesy Fondation Cartier Graciela Iturbide has been taking pictures since the early 70s, having originally enrolled as a film student before she discovered photography. Over the course of the decade, she photographed many Indigenous Mexican communities, in some cases living amongst them for extended periods of time, or returning to build strong...

creativereview

A new Fondation Cartier exhibition traces Graciela Iturbide’s 50-year career

Graciela Iturbide has been taking pictures since the early 70s, having originally enrolled as a film student before she discovered photography. Over the course of the decade, she photographed many Indigenous Mexican communities, in some cases living amongst them for extended periods of time, or returning to build strong relationships. As her career progressed, Iturbide began to move away from…...

creativereview

A new Fondation Cartier exhibition traces Graciela Iturbide’s 50-year career

Autorretrato, Desierto de Sonora, México, 1979. All images courtesy Fondation Cartier Graciela Iturbide has been taking pictures since the early 70s, having originally enrolled as a film student before she discovered photography. Over the course of the decade, she photographed many Indigenous Mexican communities, in some cases living amongst them for extended periods of time, or returning to build strong...

creativereview

A new Fondation Cartier exhibition traces Graciela Iturbide’s 50-year career

Autorretrato, Desierto de Sonora, México, 1979. All images courtesy Fondation Cartier Graciela Iturbide has been taking pictures since the early 70s, having originally enrolled as a film student before she discovered photography. Over the course of the decade, she photographed many Indigenous Mexican communities, in some cases living amongst them for extended periods of time, or returning to build strong...