Panóptico de Actualidad Gráfica y Visual
La Fondation Cartier (París) inaugura la primera retrospectiva de la fotógrafa mexicana Graciela Iturbide en Francia. Ganadora del Premio Hasselblad en 2008, Iturbide cuenta con una trayectoria de más de 50 años en los que ha destacado por plasmar una imagen que oscila entre la documentación realista y la lectura poética, creando un personal imaginario marcado por la espiritualidad. Como...
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Vans es una compañía que se dedica principalmente a la fabricación de calzados y ropa como sudaderas o camisetas. Su púbico objetivo está centrado en la comunidad skater, además de otros deportes urbanos. El logotipo de la compañía se remonta a los comienzos de la compañía cuando únicamente era una tienda de equipamiento en colegios de Estados Unidos. No fue...
El estudio Anagrama ha realizado toda la identidad para Bombavista, una marca de gafas que pretende destacar ofreciendo productos de calidad a un precio justo. Cuando se diseña una identidad gráfica desde cero hay que tener en cuenta todos los detalles que giran alrededor del producto. Con esta premisa en la cabeza, el estudio Anagrama […]...
Branding , Packaging Studio Dolphins es una agencia creativa con sede en Tesalónika, Grecia, que ofrece servicios de diseño y comunicación visual. Especializados en branding, packaging y diseño editorial, Studio Dolphins ha sido premiado a nivel internacional en multitud de ocasiones. Puedes ver el portfolio completo en la web oficial del estudio....
The typeface Super Tramp by Vivian Dehning is a serif font, which pridefully takes up space with wide letterforms, generous tracking, and lively, multifaceted swashes. The idea behind the concept is to reflect diverse characters and identities as well as to encourage the dismantling of biases. With its round and smooth as well as angular and sharp shapes contrasts complement...
Graciela Iturbide has been taking pictures since the early 70s, having originally enrolled as a film student before she discovered photography. Over the course of the decade, she photographed many Indigenous Mexican communities, in some cases living amongst them for extended periods of time, or returning to build strong relationships. As her career progressed, Iturbide began to move away from…...
Autorretrato, Desierto de Sonora, México, 1979. All images courtesy Fondation Cartier Graciela Iturbide has been taking pictures since the early 70s, having originally enrolled as a film student before she discovered photography. Over the course of the decade, she photographed many Indigenous Mexican communities, in some cases living amongst them for extended periods of time, or returning to build strong...
Autorretrato, Desierto de Sonora, México, 1979. All images courtesy Fondation Cartier Graciela Iturbide has been taking pictures since the early 70s, having originally enrolled as a film student before she discovered photography. Over the course of the decade, she photographed many Indigenous Mexican communities, in some cases living amongst them for extended periods of time, or returning to build strong...
Autorretrato, Desierto de Sonora, México, 1979. All images courtesy Fondation Cartier Graciela Iturbide has been taking pictures since the early 70s, having originally enrolled as a film student before she discovered photography. Over the course of the decade, she photographed many Indigenous Mexican communities, in some cases living amongst them for extended periods of time, or returning to build strong...
Autorretrato, Desierto de Sonora, México, 1979. All images courtesy Fondation Cartier Graciela Iturbide has been taking pictures since the early 70s, having originally enrolled as a film student before she discovered photography. Over the course of the decade, she photographed many Indigenous Mexican communities, in some cases living amongst them for extended periods of time, or returning to build strong...
