Panóptico de Actualidad Gráfica y Visual
Elvira Dyangani Ose, la nueva directora del MACBA (Barcelona), ha anunciado la programación del museo catalán para este 2022. Durante los seis meses que lleva como directora, Dyangani se ha centrado en mantener conversaciones con todos los agentes implicados en el museo, con el fin de que esta escucha activa pueda propiciar cambios en la institución. Una muestra de ello...
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
