Panóptico de Actualidad Gráfica y Visual
“Usually, there are certain parameters to follow so that letterforms become readable when set in a paragraph. With display typefaces, this isn’t an issue — you are free to add as much character to the characters in your font as you wish. But it could take time to figure out the shapes of some glyphs while keeping them identifiable and...
“One thing that can come as challenging is finding a good balance between expressiveness and legibility, depending on the project’s needs. Sometimes, I lean into disruptive type design or opt for a more expressive approach; however, this could result in the typeface being less dynamic in terms of usability, fitting only specific scenarios. Additionally, designing complex letter shapes can be...
“In font creation, there is usually a lot of routine work that begins after a short period of inspiration and easy creative decisions. In most cases I spend quite a long time designing one font, and it reminds me of a marathon race. At the beginning, you’re running lightly and full of energy, but by the middle or closer to...
“When pairing display typefaces with other type, designers must maintain contrast in styles, sizes, and weights to create visual hierarchy while ensuring harmony. Considering the overall design composition and spacing helps achieve balance and cohesion in the typographic layout.”...
“I always thought that font pairings are an essential part of graphic design and choosing a typeface is my favourite part of each project. Picking the right typeface character to match the brand story and its personality is always challenging but also so beautiful and rewarding once you do it right.”...
A’Design Award & Competition, one of the World’s largest and most diffused international design awards announced results of the 2023-2024 design competition: 1,642 Winners from 114 countries in 151 different design disciplines. Entries were carefully evaluated by an internationally influential jury panel composed of established scholars, prominent press members, creative design professionals and experienced entrepreneurs who devoted great care and...
“Before starting a new project, I always spend a good amount of time trying to find the exact display font that would suit my concept. A basic rule is that the display typeface must catch the user’s eye and communicate effectively without sacrificing clarity. We have to ensure that the letters are legible and practical to use, but still hold...
In the decorative and display typeface world, it seems that size really does matter; even if it looks perfect on the screen, you still cannot be sure that this perfection will pertain when it is enlarged and it may jar somewhat when put side by side with different kinds of typeface. Designers need to pair them with all other types,...
Microsoft Designer es una de las más recientes herramientas de Microsoft para el diseño gráfico a partir de inteligencia artificial. Es una herramienta que combina elementos propios de Canva y Adobe Express, y facilita la creación de diferentes recursos gráficos para tu día a día. Con las funciones de Microsoft Designer puedes armar todo tipo de proyectos aún con conocimientos...
Dos Punts es un estudio de diseño y comunicación formado por Anna Brullas y Neus Seguí. Mostra de València-Cinema del Mediterrani ha presentado el cartel de su 39 edición, que se celebra del 24 de octubre al 3 de noviembre de 2024. La imagen es obra de Dos Punts, estudio de diseño y comunicación formado por Anna Brullas y Neus Seguí, con...
Fase Studio está formado por Raül Vicent y Cristina Alonso. La nueva edición de la Filmoteca d’Estiu arranca el 2 de agosto, con un ciclo dedicado al cineasta Olivier Assayas o la proyección del clásico de los documentales musicales «Stop making sense», dedicado a Talking Heads, como platos fuertes. El cartel de esta nueva edición ha sido diseñado por Fase Studio, despacho...
Parlem amb Vicent Ramon, dissenyador de Bocairent que ha sigut l’elegit per dissenyar els cartells i la imatge gràfica de la nova edició de la Fira de València, una convocatòria que arranca de finals del segle XIX, amb aportacions dels més rellevants dissenyadors gràfics valencians. Text: Tomás Gorria Vicent Ramon DissenyCV: Podries contar-nos un poc sobre el briefing i el...
