Bauhaus Typography at 100

The legacy of the Bauhaus school's graphic design has been vast, informing the likes of Kamekura Yusaku's iconic Tokyo 1964 Olympics identity, with its condensed sans serif font; Malcolm Garrett's 1977 Orgasm Addict design for Buzzcocks, bearing an upside-down photomontage image by Linder Sterling and type that snakes itself round a sharp corner; and Neville Brody's art direction of The...