Adam Murray’s photography book, The Domestic Stage, explores the history of fashion images in the home environment and how they reflect our changing culture...
Martha Stewart fronts American Eagle holiday campaign
Well-known as America’s number one expert in wholesome home decor, Martha Stewart is not afraid to laugh at herself and it’s this element that brings the charm to American Eagle’s new holiday campaign starring the businesswoman. As our audience will no doubt remember, American Eagle was at the centre of one of the summer’s largest marketing controversies, when its campaign...
Have brands forgotten the power of storytelling?
Christmas is usually when brands turn to stories to engage customers, yet this year – Waitrose aside – they’ve largely shifted to pushing product instead. Ben Kay examines why...
Emanuele Satolli on finding human stories amid the chaos of war
The Italian photojournalist spent ten years creating a pictorial testimony of lived experiences during conflict, as captured in a new book and accompanying exhibition...
First-ever Uber Christmas ad addresses a father-daughter relationship
Uber has once again teamed up with Mother New York on a campaign film for the brand. Building thematically on its previous spot titled In Good Time, which showed Uber’s role in supporting a relationship, this latest release also aims to highlight how the company’s reliable rides are always there to help you on your journey through life. Landing in...
How Culted is rewriting the rules of cultural relevance
The social-first content platform has launched a creative agency, Rad Studio, which is offering luxury brands real-time insights into how Gen Z think, look and feel...
Why the brands of the future need to flex faster than culture
Safe, static brands are forgettable ones, says Landor’s Teemu Suviala. Instead, the most valuable brands are data-powered living systems that thrive in uncertainty and are designed as multi-sensory and audacious beings...
Royal Albert Hall unveils bold new identity
The Royal Albert Hall has revealed a brand refresh designed to reflect its status as one of London’s most iconic – and modern – landmarks. Global consultancy Brandpie, which crafted the venue’s visual identity in 2014, have returned, collaborating with the Hall’s in-house team to evolve the look for a digital-first, diverse audience while celebrating its 150-year heritage. Source...
Wes Anderson: The Archives exhibition is a cinematic wonderland
It’s hard to think of a filmmaker working today whose artistic sensibilities, idiosyncratic as they are, have become more closely woven into the fabric of popular culture than Wes Anderson. And yet his meticulous, highly stylised cinematic worlds are nothing if not the sum of their constituent creative parts. Anderson is acutely aware of this – so it came as...
Exposure: Bettina Pittaluga
Talking to Gem Fletcher, Pittaluga reveals her photographs are informed by her background in sociology and a desire to explore the power dynamics that exist in the world...
Meet the Creative Review Annual Awards 2026 Jury Presidents
As the Creative Review Annual Awards return for another year, we’re thrilled to introduce the six creative heavyweights who will steer the judging panels as our 2026 Jury Presidents. Without further ado… Advertising: Franki Goodwin, chief creative officer at Saatchi & Saatchi, is an award-winning creative and filmmaker whose notable recent work includes campaigns for Subway… Source...
Shaping Prince’s visual world
Notoriously protective of his image, Prince chose his collaborators carefully. As Around the World in a Day celebrates its 40th anniversary, creative director Laura LiPuma and artist Doug Henders reflect on working with a cultural icon...