Studio Float — Shanghai, China

“It’s not just about 2D graphics as backdrop; there can be 60-100cm depths, or a see-through space. We need to think how to utilize this depth or space to tell a story as attractively as possible. The space should engage the consumer to step inside. Nowadays, people are not satisfied with simply the space, they are attracted by digital media,...

Silvia Baz — London, UK

What is your most memorable window-display design? “In London, Selfridges’ window displays have the reputation of always being innovative, creative and unique — a very demanding combination. I enjoy exploring the boutiques and fashion brands on Old Bond Street and have always loved Hermès’ windows. I also love Damien Poulain’s recent commission for the Hankyu Umeda store in Osaka. It’s...

Turbina — Barcelona, Spain

“One of the biggest challenges proposed by a window display is space and point of view. We really enjoy being able to work in a format in which the piece has its corporeality. It forces us to control everything that happens to its surroundings: the setting of the piece, space and lighting allow us to recreate the whole scene. When...

Przemek Sobocki — Tokyo, Japan

What is the biggest challenge you have faced while working on window-display design? “The biggest challenge was working on display for Mitsukoshi in Taipei over e-mails. All went pretty smoothly, but it was challenging to work on space and people that you can’t just see personally anytime you need. And it is always challenging as the production budget is invariably...

Agnes & Anthony — Brussels, Belgium

“La Baleine Bleue is our most memorable window-display design and it was our first-ever collaboration. It was an ambitious idea, we had to work over a whole Christmas to complete it, hand-cutting all the tiny patterns, but it was a lot of fun. We still remember how rewarding and satisfying it was looking at the whale from across the street....