Panóptico de Actualidad Gráfica y Visual
“Our most concrete example would be the UltraSolar font, which was brought about from playing with ink traps. We applied large ink traps to letters that usually don’t have any, thus creating something unexpected. It ended up becoming more of a work on negative space than on ink traps. Starting from this simple idea that we pushed to the extreme,...
“Dinosaur tails were the main reference for Mesozoic. Tails had multiple uses, including counterbalance for a long neck or a large, heavy head. Tails and balance are terms used in typography as well and calligraphy was the medium to translate this idea into an abstract look like letters. Through a long process of sketching and writing the shapes, I came...
“We get our motivation from the projects themselves, and from the unique ideas they develop. We believe that it is necessary to keep renewing typographical forms in order to meet the needs and the spirit of the times. Fonts are at the core of communication, and good type design should reflect the constant and rapid evolution of society and visual...
“The SK Cynic font was inspired by the work of constructivists of the 20th century, industrial landscapes and digital ornaments. Curiosity motivated me: what will become of the material I collected? That’s how the SK Cynic font was created. Then it was polished and refined. The result is a product that will suit any designer or poster artist.”...
Design China Beijing’s theme this year is “Design Thrives to Revive the World” and continues to focus on sustainable design. The challenges the design community faces after the pandemic go far beyond creating a chair, a carpet or an interior decoration item. The show will seek to redefine the connection between design and sustainability, for the sake of our own...
What constitutes a good typeface design? “Many things! Of course, the visual aspect is what people see immediately, but the more I learn about font mastering, the more I appreciate the technical qualities of typefaces. Beautiful letters are useless if the typeface has poor kerning, missing glyphs or bad screen rendering.”...
“One of our recently published typefaces is Hybryda (Hybrid in Polish), so called because it has two different types of components (shapes) performing essentially the same function. My idea was to combine sans serif with slab serif — linking them by high contrast and proving that you can create a coherent system with two opposing ideas if they are given...
In a world where there are millions of products and designs launch each year, A’Design Award and Competition was born out of the desire to underline the best designs and well designed products. Submissions are now open in 100+ categories, with popular choices including Interior Space and Exhibition Design; Architecture, Building and Structure Design; Furniture, Decorative Items and Homeware Design;...
“We are very proud of Quarantype, a collection of 10 free typefaces we designed in just three weeks, at the start of the Covid-19 lockdown. Like everybody else at the time, we felt a lot of anxiety and decided to translate it into a set of fonts that would spread good vibes, a sort of typographic antidote to the virus....
“Our best-known typeface is Albra. With a graphic-design background we know how frustrating it is sometimes to find complementing typefaces. This is why we designed Albra. It can be combined in any possible way, has a wide range of styles and is fully compatible. Plus we are still working on extending this collection for the future. Basically, it’s an all-in-one...
“If you only have a few words as a title, I like to modify the characters by stretching them. The nearly unreadable has an enormous charm in my opinion. In contrast to the classic typeface design, which is designed to offer the greatest possible reading comfort, I like to experiment with the font, the individual characters, and therefore usually create...
“Our most recent release is a typeface called Adapter. It is a result of a years-long team effort to draw an unobtrusive, modernist sans-serif. There are two versions, Text and Display, each with its own personality. The goal was to provide a high-quality language support and build a variable font to allow the typeface to adapt to different design projects....
