Panóptico de Actualidad Gráfica y Visual
The publisher describes the new series of titles as a way of “spotlighting radical literary voices from history”, and it’s accompanied by a set of striking covers created by Faber designers Pete Adlington and Jonathan Pelham alongside creative director Donna Payne – who spoke with CR earlier this year about the changing nature of book cover design. Book jacket enthusiasts...
It’s the third edition of the awards, set up by BNW Minimalism magazine and judged by a jury of working photographers, as well as representatives from the British Journal of Photography and the Griffin Museum of Photography. This year saw people from over 39 different countries submit work to the award, which covers several categories including landscape, architecture, portrait and...
Whether you’re a fresh grad still finding your way or an old hand who’s lost faith, designer Paul Woods has some sage words of wisdom to help navigate creative angst The post Paul Woods on handling a creative crisis appeared first on Creative Review....
1964 Tokyo Olympics official poster, courtesy of Prince Chichibu Memorial Sports Museum Tokyo 1964: Designing Tomorrow brings together an array of artefacts from the 1964 Games, as a way of exploring their creative and technological legacy, as well as the event’s impact on ideas around Olympics branding. Many of these have never been on show in the UK, and offer...
“No one depends more on nature, nor is so afraid of its excesses, than the campesino,” writes Domingo Cuza Pedrera in the introduction to Richard Sharum’s new photo book Campesino Cuba. Cuza Pedrera grew up a campesino, spending his childhood climbing trees and making toys, before graduating to helping with the harvest or small chores as his elders tended to...
Since launching in 2019, Wild has taken over our social feeds and shaken up traditional perceptions of natural deodorants. We look at how the brand is using design and creativity to reshape what we expect from our toiletries The post How Wild is making personal care more sustainable appeared first on Creative Review....
Since launching in 2019, Wild has taken over our social feeds and shaken up traditional perceptions of natural deodorants. We look at how the brand is using design and creativity to reshape what we expect from our toiletries The post How Wild is making personal care more sustainable appeared first on Creative Review....
Since launching in 2019, Wild has taken over our social feeds and shaken up traditional perceptions of natural deodorants. We look at how the brand is using design and creativity to reshape what we expect from our toiletries The post How Wild is making personal care more sustainable appeared first on Creative Review....
Since launching in 2019, Wild has taken over our social feeds and shaken up traditional perceptions of natural deodorants. We look at how the brand is using design and creativity to reshape what we expect from our toiletries The post How Wild is making personal care more sustainable appeared first on Creative Review....
Since launching in 2019, Wild has taken over our social feeds and shaken up traditional perceptions of natural deodorants. We look at how the brand is using design and creativity to reshape what we expect from our toiletries The post How Wild is making personal care more sustainable appeared first on Creative Review....
Since launching in 2019, Wild has taken over our social feeds and shaken up traditional perceptions of natural deodorants. We look at how the brand is using design and creativity to reshape what we expect from our toiletries The post How Wild is making personal care more sustainable appeared first on Creative Review....
Inspired by playwrights such as Tony Kushner and August Wilson, theatrics is at the heart of Alexander Coggin’s image making. The American-born, UK-based photographer studied acting before applying his take on ‘magical realism’ to the mundane scenarios and everyday behaviours that we can all relate to. Coggin’s latest project embodies the bizarreness and banality of the so-called ‘new normal’ that...
