Los trabajos de Fatih Hardal para su fundición Typografische

Tipografía Fatih Hardal es el fundador de Typografische, fundición tipográfica con sede en Estambul, Turquía. Comenzó su primera edición en 2020. Aunque Type Foundry tiene su sede en Estambul, realiza trabajos a escala mundial. Han colaborado con muchas grandes empresas de todo el mundo. Algunas de ellas son Adidas, Apple, Adobe y Nike. Además, han creado fuentes personalizadas para las...

experimenta

La 15ª Bienal Internacional de Cartelismo Terras Gauda – Concurso Francisco Mantecón ya tienen ganadores

La edición 2021-2022 de la Bienal Internacional de Cartelismo Terras Gauda – Concurso Francisco Mantecón, uno de los certámenes de diseño gráfico de mayor relevancia convocado por una entidad privada a nivel mundial ha hecho pública su lista de premiados. La entrada La 15ª Bienal Internacional de Cartelismo Terras Gauda – Concurso Francisco Mantecón ya tienen ganadores apareció primero en...

Alex Coghe: Fotografías directas a la yugular

Sentimos un titulo tan explicito, pero es como podríamos definir la fotografía tan directa y desgarradora de Alex Coghe. Es un fotógrafo Italiano afincado en la ciudad de México.  Como el mismo reconoce no le interesan las fotografías con una luz especial, con un posado agradable o crear una imagen «fácil» de hacer.  Alex intenta transmitir todo lo contrario, miedo, incertidumbre, movimiento...

creativereview

The untold graphic design history of rave era membership cards

The ‘second summer of love’ — that late 1980s/early 1990s rave apotheosis characterised by scorching heatwaves, outraged politicians, sweaty bucket hats and the sound of acid house — is often eulogised as a sort of brief utopia, where football nuts swapped hooliganism for hugs and disenfranchised youth suddenly had something to believe in. This idea of short-lived halcyon days free...

creativereview

The untold graphic design history of rave era membership cards

The ‘second summer of love’ — that late 1980s/early 1990s rave apotheosis characterised by scorching heatwaves, outraged politicians, sweaty bucket hats and the sound of acid house — is often eulogised as a sort of brief utopia, where football nuts swapped hooliganism for hugs and disenfranchised youth suddenly had something to believe in. This idea of short-lived halcyon days free...

creativereview

The untold graphic design history of rave era membership cards

The ‘second summer of love’ — that late 1980s/early 1990s rave apotheosis characterised by scorching heatwaves, outraged politicians, sweaty bucket hats and the sound of acid house — is often eulogised as a sort of brief utopia, where football nuts swapped hooliganism for hugs and disenfranchised youth suddenly had something to believe in. This idea of short-lived halcyon days free...

creativereview

The untold graphic design history of rave era membership cards

The ‘second summer of love’ — that late 1980s/early 1990s rave apotheosis characterised by scorching heatwaves, outraged politicians, sweaty bucket hats and the sound of acid house — is often eulogised as a sort of brief utopia, where football nuts swapped hooliganism for hugs and disenfranchised youth suddenly had something to believe in. This idea of short-lived halcyon days free...

creativereview

The untold graphic design history of rave era membership cards

The ‘second summer of love’ — that late 1980s/early 1990s rave apotheosis characterised by scorching heatwaves, outraged politicians, sweaty bucket hats and the sound of acid house — is often eulogised as a sort of brief utopia, where football nuts swapped hooliganism for hugs and disenfranchised youth suddenly had something to believe in. This idea of short-lived halcyon days free...