Panóptico de Actualidad Gráfica y Visual
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
El Museo Carmen Thyssen (Málaga) presenta, dentro del marco de su programa de mediación y actividades culturales, Se hizo carne, una instalación de realidad virtual (VR) dirigida por el artista Ernesto Artillo. Una apuesta del museo por nuevos formatos que poco a poco van entrando en los circuitos convencionales del arte contemporáneo. A partir del aspecto inmersivo que confiere la...
Me asalta la duda acerca de si como colectivo los diseñadores hemos sabido afrontar esta pandemia. Remontémonos a las últimas manifestaciones que como grupo hemos auspiciado o secundado. Con Aznar fue el No a la guerra. Tiempo después, por primera vez hubo movimientos semiespontáneos en el ámbito de la política, cuando se presentaron Manuela Carmena en Madrid y en menor...
