Certain European countries have, over time, become synonymous with a particular style or quality of graphic design: Switzerland is perhaps the most obvious example, while Dutch graphic design has come to connote exemplary 20th century corporate identity work. In comparison, we know relatively little about 20th century Belgian graphic design — despite a rich, bold history in pushing boundaries across...
The lesser-told histories of Belgian graphic design
Certain European countries have, over time, become synonymous with a particular style or quality of graphic design: Switzerland is perhaps the most obvious example, while Dutch graphic design has come to connote exemplary 20th century corporate identity work. In comparison, we know relatively little about 20th century Belgian graphic design — despite a rich, bold history in pushing boundaries across...
The lesser-told histories of Belgian graphic design
Certain European countries have, over time, become synonymous with a particular style or quality of graphic design: Switzerland is perhaps the most obvious example, while Dutch graphic design has come to connote exemplary 20th century corporate identity work. In comparison, we know relatively little about 20th century Belgian graphic design — despite a rich, bold history in pushing boundaries across...
The lesser-told histories of Belgian graphic design
Certain European countries have, over time, become synonymous with a particular style or quality of graphic design: Switzerland is perhaps the most obvious example, while Dutch graphic design has come to connote exemplary 20th century corporate identity work. In comparison, we know relatively little about 20th century Belgian graphic design — despite a rich, bold history in pushing boundaries across...
The lesser-told histories of Belgian graphic design
Certain European countries have, over time, become synonymous with a particular style or quality of graphic design: Switzerland is perhaps the most obvious example, while Dutch graphic design has come to connote exemplary 20th century corporate identity work. In comparison, we know relatively little about 20th century Belgian graphic design — despite a rich, bold history in pushing boundaries… Source...
Live, love but don’t laugh: making the case for inspirational quotes
They’ve been memeified, mocked and parodied, but inspirational quotes are taking on a new lease of life in the hands of illustrators and designers The post Live, love but don’t laugh: making the case for inspirational quotes appeared first on Creative Review....
Live, love but don’t laugh: making the case for inspirational quotes
They’ve been memeified, mocked and parodied, but inspirational quotes are taking on a new lease of life in the hands of illustrators and designers...
Reimagining the cover art for club classic Groovejet (If This Ain’t Love)
Every once in a while, a record comes along which is destined to be the song that eternally gets people onto the dancefloor. Featuring the unmistakable vocals of Sophie Ellis-Bextor, Italian DJ/producer Spiller’s noughties classic Groovejet (If This Ain’t Love) is undoubtedly one of those tracks. Originally released in 2000, the single was acquired by Defected Records last year, and...
Maestros del Diseño en America Latina: Hugo Kovadloff (Brasil)
El diseñador gráfico y profesor Hugo Kovadloff nació en 1944 en Buenos Aires, Argentina, y se trasladó con su familia a fines de la década de 1950 a la ciudad de San Pablo, Brasil. Después de un periodo de estudios en el CICMAT (Centro de Investigación en Comunicación Masiva, Arte y Tecnología) de Buenos Aires,… La entrada Maestros del Diseño...
El padrino del cómic underground
A finales de la década de los 60, en medio de las protestas contra la guerra de Vietnam y de las manifestaciones por los derechos civiles, empezó a triunfar en Estados Unidos un nuevo género de historietas denominado cómic underground que tenía como objetivo reflejar en sus páginas temas que se consideraban tabú en la sociedad acomodada de aquellos años,...
El padrino del cómic underground
A finales de la década de los 60, en medio de las protestas contra la guerra de Vietnam y de las manifestaciones por los derechos civiles, empezó a triunfar en Estados Unidos un nuevo género de historietas denominado cómic underground que tenía como objetivo reflejar en sus páginas temas que se consideraban tabú en la sociedad acomodada de aquellos años,...
Una exposición sobre cómo el diseño mejora nuestra calidad de vida
«¿Por qué soy así?» es el título de una muestra en la que 120 objetos cotidianos cobran vida en el Centre del Carme Cultura Contemporània de Valencia para explicar cómo el diseño mejora nuestra vida. En el marco del programa de World Design Capital Valencia 2022, el Centre del Carme Cultura Contemporània (CCCC) ha inaugurado la […]...






