Si tienes un video en donde aparece una persona y quieres quitar el fondo, porque lo vas a sustituir por un color plano, una textura o inclusive agregar otro video, entonces prueba hacerlo desde BgRem. En esa página puedes borrar los fondos con tan solo 3 simples pasos. Primero debes subir o arrastrar el video a la página, esperar unos...
Licencias tipográficas en el laberinto del Minotauro
Ya sea por desconocimiento o por mala fe, encontramos innumerables casos en los que se saltan las condiciones de las licencias tipográficas o directamente casos de pirateo descarado. ¿Qué más se puede hacer para tratar de evitarlo? Es imposible imaginar nuestra vida sin internet, o lo que es peor, nos da vértigo imaginarlo. Tanto es […]...
Historia del logo de Amazon
La creación y el diseño de una marca no se crean en un solo día. Constan de un largo proceso creativo, en el que todos los factores tienen que tenerse en cuenta. Por eso, es importante que en el diseño o rediseño de una marca, se tengan en cuenta hasta los detalles más pequeños. Un claro ejemplo de ello es:...
Gabriel Jones’ photos offer a new kind of voyeurism
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Gabriel Jones’ photos offer a new kind of voyeurism
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Gabriel Jones’ photos offer a new kind of voyeurism
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Gabriel Jones’ photos offer a new kind of voyeurism
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Gabriel Jones’ photos offer a new kind of voyeurism
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Gabriel Jones’ photos offer a new kind of voyeurism
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Gabriel Jones’ photos offer a new kind of voyeurism
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Gabriel Jones’ photos offer a new kind of voyeurism
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...
Gabriel Jones’ photos offer a new kind of voyeurism
Photography has a longstanding fascination with unposed subjects: Henri Cartier-Bresson’s ‘decisive moment’ hinges entirely on the candid; while some of our most famous living photographers have made a career out of snapping spontaneity — Martin Parr, Nan Goldin (to some extent), and Bruce Gilden, to name a few. But French photographer Gabriel Jones has taken things one step further by...





