A punto para inaugurar la temporada de terrazas, jardines y balcones, con el buen tiempo asomando por la ventana, hoy seleccionamos diez colecciones de mobiliario exterior para todos los gustos. Desde el formalismo racional al modernismo romántico. De Anastassiades a los Bouroullec, Nichetto, Lissoni o Hayon. Escultura aplicada al diseño, por Kettal Ringer es la […] La entrada Selección Diariodesign:...
Latis, la estación de trabajo de Samuel Wilkinson. Con cannage todo es mejor
El diseñador suizo Samuel Wilkinson es el responsable de Latis, una estación de trabajo que, explotando las posibilidades de cannage, consigue dotar a su propuesta de un vuelo estético que la desmarca inmediatamente de la oferta actual en este sector. La entrada Latis, la estación de trabajo de Samuel Wilkinson. Con cannage todo es mejor apareció primero en Experimenta....
Monospaced Fonts Glance in the Rearview Mirror, Then Look Towards the Future
In the last few years, monospaced fonts were suddenly making appearances in editorial and advertising design, showing up everywhere from social media to posters to packaging. Invented to suit the mechanical requirements of typewriters, each letterform in a monospaced alphabet occupies exactly the same amount of horizontal space, unlike the more traditional proportional fonts whose widths vary by character. So,...
«Ideas con propósito» por Carlos García
El proyecto @EarthIsSaying, la cuenta en Twitter con la que el Planeta Tierra nos informa de las alertas climáticas, explicado desde dentro. Sin duda el lienzo de la creatividad es inmenso, analizas todos los pigmentos para pintar y darle forma a esa gran idea que inicialmente solo te marca el punto de partida. No a […]...
La 15ª Bienal Internacional de Cartelismo Terras Gauda – Concurso Francisco Mantecón ya tienen ganadores
La edición 2021-2022 de la Bienal Internacional de Cartelismo Terras Gauda – Concurso Francisco Mantecón, uno de los certámenes de diseño gráfico de mayor relevancia convocado por una entidad privada a nivel mundial ha hecho pública su lista de premiados. La entrada La 15ª Bienal Internacional de Cartelismo Terras Gauda – Concurso Francisco Mantecón ya tienen ganadores apareció primero en...
El mensaje de esta valla de Corona solo se puede leer durante unos minutos al día
Parece que no, pero de vez en cuando aparece alguna campaña que nos demuestra que se puede seguir innovando y haciendo cosas guays en un medio tan tradicional como son las vallas publicitarias. Y es que hoy toca hablar de este anuncio que Corona ha instalado en Brighton (Inglaterra) y que utiliza los rayos del sol para que el mensaje...
The untold graphic design history of rave era membership cards
The ‘second summer of love’ — that late 1980s/early 1990s rave apotheosis characterised by scorching heatwaves, outraged politicians, sweaty bucket hats and the sound of acid house — is often eulogised as a sort of brief utopia, where football nuts swapped hooliganism for hugs and disenfranchised youth suddenly had something to believe in. This idea of short-lived halcyon days free...
The untold graphic design history of rave era membership cards
The ‘second summer of love’ — that late 1980s/early 1990s rave apotheosis characterised by scorching heatwaves, outraged politicians, sweaty bucket hats and the sound of acid house — is often eulogised as a sort of brief utopia, where football nuts swapped hooliganism for hugs and disenfranchised youth suddenly had something to believe in. This idea of short-lived halcyon days free...
The untold graphic design history of rave era membership cards
The ‘second summer of love’ — that late 1980s/early 1990s rave apotheosis characterised by scorching heatwaves, outraged politicians, sweaty bucket hats and the sound of acid house — is often eulogised as a sort of brief utopia, where football nuts swapped hooliganism for hugs and disenfranchised youth suddenly had something to believe in. This idea of short-lived halcyon days free...
The untold graphic design history of rave era membership cards
The ‘second summer of love’ — that late 1980s/early 1990s rave apotheosis characterised by scorching heatwaves, outraged politicians, sweaty bucket hats and the sound of acid house — is often eulogised as a sort of brief utopia, where football nuts swapped hooliganism for hugs and disenfranchised youth suddenly had something to believe in. This idea of short-lived halcyon days free...
The untold graphic design history of rave era membership cards
The ‘second summer of love’ — that late 1980s/early 1990s rave apotheosis characterised by scorching heatwaves, outraged politicians, sweaty bucket hats and the sound of acid house — is often eulogised as a sort of brief utopia, where football nuts swapped hooliganism for hugs and disenfranchised youth suddenly had something to believe in. This idea of short-lived halcyon days free...
The tension between art and commerce in Nigel Shafran’s work
After bringing a down-to-earth ethos to fashion imagery in the 80s and 90s, the photographer withdrew from the arena in which he had made his name. Now, a new book sees Shafran reflect on the relationship between his commercial and personal work...







