by Utagawa Hiroshige. 1842. Images via Ukiyo-e and Minneapolis Arts Institute....
Shadow puppets.
by Utagawa Hiroshige. 1842. Images via Ukiyo-e and Minneapolis Arts Institute....
Shadow puppets.
by Utagawa Hiroshige. 1842. Images via Ukiyo-e and Minneapolis Arts Institute....
Shadow puppets.
by Utagawa Hiroshige. 1842. Images via Ukiyo-e and Minneapolis Arts Institute....
Shadow puppets.
by Utagawa Hiroshige. 1842. Images via Ukiyo-e and Minneapolis Arts Institute....
UNICEF: History of a Logo
From the child drinking milk to the mother lifting her child: The UNICEF logo has changed a lot over the past 75 years since UNICEF was founded. Therefore we would like to take you on a little discovery tour of how their logo has evolved over the years: UNICEF: History of a Logo. UNICEF (United Nations Children’s Emergency Fund) works...
CAMPERLAB reivindica la estética de los siurells mallorquines.
La reconocida firma de calzado acaba de presentar su última creación. En ella, ha incorporado el serigrafiado típico de este silbato de arcilla en el zapato de tacón Juanita y la bota con cremallera Traktori. Ambos modelos aúnan el diseño más vanguardista con la tradición de la isla. Inspirados en un souvenir de la isla […] La entrada CAMPERLAB reivindica...
Adobe lanza Creative Cloud para Google Chrome
Con esta actualización podrás capturar colores, patrones, formas y degradados para inspirar tus propias creaciones e inspirarte en los diseños y obras de arte más creativos....
Xavia Chen’s charming animated music video for Amber Kuo’s latest track
Amber Kuo is a Mandopop singer and actor and after an eight year hiatus she is set to release her new album this summer with her own record label, Nomad City Records. As a taster of what’s to come, this week sees her release a track from the album called A Scarlet Riding Hood. Taipei-based 2D animator Xavia Chen has...
How I Got Here: Dapo Adeola
The British-Nigerian illustrator and character designer talks about his break into the creative industries, his experiences with being pigeonholed, plus his plans for the future The post How I Got Here: Dapo Adeola appeared first on Creative Review....
Why it pays for brands to go local
In an age of turbulence, brands are seeing the benefits of a localised approach over a global one. Here, Ben Sillence, strategy director at Lewis Moberly, explores what this may mean for designers and creatives The post Why it pays for brands to go local appeared first on Creative Review....
The design legacy of 2 Tone
The exhibition offers a deep dive into the legacy of 2 Tone, and its significance as both a musical and political force in the late 70s and early 80s. What’s also evident throughout is the coherence of 2 Tone’s design, from its logos to its distinctive black-and-white chequered branding to the clothing worn by both the bands and their fans....