Panóptico de Actualidad Gráfica y Visual
If there’s a signature thread that ties together the eclectic works that have appeared at the Manchester International Festival over the past 14 years, it’s a desire to push at creative boundaries, with the artists, designers and musicians commissioned by the festival regularly asked to step out of their comfort zones and create new styles of work. This blurring of...
If there’s a signature thread that ties together the eclectic works that have appeared at the Manchester International Festival over the past 14 years, it’s a desire to push at creative boundaries, with the artists, designers and musicians commissioned by the festival regularly asked to step out of their comfort zones and create new styles of work. This blurring of...
If there’s a signature thread that ties together the eclectic works that have appeared at the Manchester International Festival over the past 14 years, it’s a desire to push at creative boundaries, with the artists, designers and musicians commissioned by the festival regularly asked to step out of their comfort zones and create new styles of work. This blurring of...
If there’s a signature thread that ties together the eclectic works that have appeared at the Manchester International Festival over the past 14 years, it’s a desire to push at creative boundaries, with the artists, designers and musicians commissioned by the festival regularly asked to step out of their comfort zones and create new styles of work. This blurring of...
If there’s a signature thread that ties together the eclectic works that have appeared at the Manchester International Festival over the past 14 years, it’s a desire to push at creative boundaries, with the artists, designers and musicians commissioned by the festival regularly asked to step out of their comfort zones and create new styles of work. This blurring of...
If there’s a signature thread that ties together the eclectic works that have appeared at the Manchester International Festival over the past 14 years, it’s a desire to push at creative boundaries, with the artists, designers and musicians commissioned by the festival regularly asked to step out of their comfort zones and create new styles of work. This blurring of...
Exercises for / in Exchange — Art University Cooperation is an experiment in communication between students of the Berlin University of the Arts and the weißensee academy of art and design: Since, due to the pandemic, studies hardly take place in the rooms of the universities in the summer semester of 2021, the aim is to expand the possibilities of the digital...
Los diseñadores Marie Dessuant y Philip Bone, socios fundadores del estudio parisino Dessuant Bone, firman Fasted, una cautivadora colección de objetos que, desde un esencialismo extremo y un soberbio buen gusto, consiguen sugerir formalmente una serie de utensilios de cocina básicos para ofrecernos un verdadero —aunque disfuncional— menaje de cocina. La entrada La vajilla disfuncional de Marie Dessuant y Philip...
El 1 de julio de 2020 Rusia votó un referendum para realizar varios cambios en su constitución. Entre estas modificaciones se incluía que el matrimonio es una unión que solo puede tener lugar entre un hombre y una mujer. Coincidiendo con su primer aniversario, se ha estrenado en el país «We will become better», un corto contra la homofobia que...
After eight years as a creative director at Wieden + Kennedy Amsterdam, Albert has joined TBWANeboko as ECD. He talks to us about his career and his ‘kill boring’ mantra The post How I Got Here: Thierry Albert, TBWANeboko appeared first on Creative Review....
Jody Hudson-Powell and Luke Powell, both partners at the studio, designed the lettering for Total War: Warhammer III – a fantasy strategy game developed by Creative Assembly and Games Workshop, and published by Sega. Players are challenged to battle a quartet of Chaos Gods and their armies, prompting the pair to take inspiration from throngs of weapons and armour, and...
Diana Markosian’s series Santa Barbara is a thing of questions and contrasts. Part-staged narrative, part-documentary project, the photographer worked with a casting director, a group of actors and a scriptwriter from the 1980s soap opera Santa Barbara (which she watched while growing up) to reenact the final days of her family life in post-Soviet Russia, and the beginnings of her...
