Panóptico de Actualidad Gráfica y Visual
“The level of detail a font can have depends on its usage. What comes first is defining a layout hierarchy, assigning to each part of a design a well-defined role. Once this has been identified, one can understand how much to push with eclecticism on the single texts. Aside also from the necessary coherence between a given typographic style and...
“The greatest challenge lies in discovering a distinctive tone for every project, especially when we’re trying to do something completely new. With so many different display typefaces out there, it’s tough to stand out. Instead of getting caught up in the little details, I focus on understanding what the project needs to communicate. Through this approach, I seek an authentic...
“There are no hard and fast rules when it comes to pairing display fonts with text fonts. Some designers like to pair typefaces from the same time period, others prefer to see particular details mirrored in both typefaces, and yet others choose a type family that contains both display and text cuts, eliminating the need for such considerations. The goal...
“I’ve found that one of the biggest challenges in designing decorative and display typefaces is striking a balance between including intricate details and maintaining legibility. Ornate fonts can be stunning for headlines, but they often struggle to convey meaning at smaller font sizes or in body text. As a result, I believe it’s essential to prioritize clarity while still showcasing...
Entender la historia del diseño gráfico a través del tiempo es hablar de los principales responsables de su desarrollo. Los diseñadores gráficos que marcaron una época, dejaron huella o crearon un estilo, y cómo siguen influenciando o sirviendo como inspiración a nuevos artistas. En este artículo encontrarás un recorrido histórico por algunas de las figuras más relevantes e influyentes del...
“The challenge of making decorative display letters is how to maintain legibility and readability while considering the aesthetic value/decorative side. The message must be conveyed well so that the audience not only reads the text but also enjoys the aesthetic/decorative aspect of the typography.”...
“The main challenge for me is always the same, whether with typography or design in general, and that is to find the solution that I think is most appropriate for each project. On the other hand, there is the technical resolution, which is sometimes complicated, but the main challenge is to know what you want to do/transmit in each project....
“Always prioritize contrast. When working with two or more typefaces, aim to choose one with a distinct personality and another that complements it. By using one typeface for emphasis and another for supporting text, you’ll ensure your message remains clear and engaging.”...
El nou logotip conserva, amb mínims canvis, l’isotip original dissenyat per Daniel Olmo. Cèsar Amiguet ha redissenyat el logotip del Col·lectiu Ovidi Montllor per millorar-ne l’adaptabilitat. El nou logotip conserva, amb mínims canvis, l’isotip original dissenyat per Daniel Olmo: l’accent obert enquadrat que s’ha convertit amb el temps en l’element més memorable de la marca. En el mateix espai, el...
La muestra fue escogida como evento destacado en la última edición de Valencia Disseny week. La exposición «10 years de Vibra» fue escogida como evento destacado de la pasada Valencia Disseny Week. Los visitantes a esta muestra, ubicada en la sede de Velluters de EASD València, pueden encontrar una muestra de la gráfica desarrollada para instituciones públicas y empresas privadas,...
Los croquis son imprescindibles para materializar cualquier proyecto. Este tipo de dibujo te ayudará a darle forma, y así lograr resultados más cercanos a tus expectativas. Los mismos son aplicados en distintos campos, por lo que pueden ser útiles tanto en la arquitectura, el arte o la educación. Por esto en el día de hoy te compartimos qué es un...
“In our display projects, our main challenge is keeping up with the ever-evolving typographic trends in today’s fast-paced markets. We aim to efficiently deliver a wide range of font options without sacrificing quality. Most of our typefaces come as variable fonts too, which are perfect for animations and web use, offering flexibility. We also like to include as many open-type...
