Panóptico de Actualidad Gráfica y Visual
“On a wall, weather conditions are crucial, and the surface is different — a hard or uneven wall influences the technique and manner of painting. Making large-format paintings is also a physical strain, on top of the risk of working at height. I prefer to use a scaffolding, despite the fact that it blocks the visibility. As for the choice...
“The substantial difference between making a work on paper and a work on a wall is that the latter lives in a contextual spatiality, in a pre-existing environment. The choice of colours and shapes very often must enter into symbiosis with the surrounding environment and architecture. The execution varies in accordance with the space, proportionally when the space is larger even...
“The substantial difference between making a work on paper and a work on a wall is that the latter lives in a contextual spatiality, in a pre-existing environment. The choice of colours and shapes very often must enter into symbiosis with the surrounding environment and architecture. The execution varies in accordance with the space, proportionally when the space is larger even...
A’ Design Award & Competition, one the world’s largest and most diffused international design awards announced results of the 2020-2021 design competition: 2,094 Winners from 108 countries in 104 different design disciplines. Best products, projects and services worldwide that demonstrate superior design, technology and creativity are rewarded with the A’ Design Award; the symbol of excellence in design and innovation....
“Probably the scale of the work and the method of execution, though the idea generation is remarkably similar for all media. The workmanship can be challenging for walls. For the choice of material, we weigh up weatherability, consistency of the subsurface and the actual size of the surface we design. Depending on the medium, we mostly use a combination of...
“The biggest physical obstacles tend to be wall texture, weather, time constraints, and the challenge in being able to step back and see your progress. The mental obstacle is always feeling unprepared and inexperienced. No matter how many walls I paint I am always nervous showing up to paint.”...
“The biggest difference is the time constraint. In a studio environment you have time to plan, experiment, take things slowly, walk away and come back. In a mural setting it’s different because you are often working within a limited time frame if you have rented equipment. So I try to keep my mural installations within one-two weeks. This means I...
“I find walls much more imposing, but I love them; they intimidate me but I love being able to go ahead and do my work anyway. It’s like a personal challenge. There’s also a big difference, with the design depending on the texture of the wall or the light it gets.”...
“I have always found that getting proportions exact is a bit difficult working at large scale, and you need to keep in mind that colours should contrast to be visible at further distances, which is why I tend to use bold black outlines. When working on paper, you can really concentrate on minute details, but when painting a mural you have...
Design Shanghai is Asia’s largest and leading international design event, breaking new ground and setting a precedent in Asia’s ever-growing design community. Welcoming 70,000 professionals and visitors over four days, Design Shanghai showcases more than 400 local and international brands from 30 countries and regions set across eight remarkable design sections. A highlight not to be missed is the world-renowned...
“In the beginning of our process there’s no significant difference as we always sketch and draw the illustrations on paper first. But naturally, considerations regarding composition, scale and colour palette may vary when we’re creating a work for a specific location and of a particular size. We always focus on making the piece as eye-catching and impactful as possible.”...
“Fear of heights while painting big murals and at the same time extreme exhaustion from painting long hours and travelling a lot. It’s hard work but I do enjoy projects like this because they push me to my limits. Another obstacle has been working with whoever you have in the moment, thus learning to improvise, and all this comes from...
