Who gets to decide what’s appropriate for public consumption? That’s the question at the heart of a new exhibition at Mayfair-based gallery Unit London, titled Sensitive Content. The show presents works spanning the 1940s to the present day which have been deemed unfit for display for various reasons; but many of the pieces are united by the fact they “platform...
Fighting is good, according to KesselsKramer’s new Monopoly campaign
Amsterdam-based agency KesselsKramer has worked with Monopoly’s parent company Hasbro’s Benelux department to create a new campaign that celebrates the more conflict-heavy aspects of the real estate board game. With the game so well-known around the world, the aim was to come up with something new, but which speaks to the reality of the game. “Soon after getting into it…...
How Oliver Sim’s gory, glorious album art was made
We speak to Oliver Sim, designer Vasilis Marmatakis and director Yann Gonzalez about translating Sim’s debut album, Hideous Bastard, into a queer horror extravaganza...
Charlene Prempeh on unlocking creativity
The founder of A Vibe Called Tech believes wholeheartedly in the power of research and how it can help the creative industry move beyond its assumptions to make brilliant, relevant work...
Innom’s colourful identity reimagines the humble corner shop
With its mishmashed merchandising, handwritten price stickers and garish shopfronts, the humble corner shop is generally immune to the whims of the design industry’s latest fads – and is often all the more charming for it. Oslo-born convenience store concept Innom is vying to be the exception to this rule, however. Offering a mixture of goods that places it somewhere...
Anthony Blasko captures the frivolity of the annual Florida Strawberry Festival
The annual Florida Strawberry Festival dates back to 1930, and was originally introduced as a way of celebrating the success of the state’s yearly harvest. New York-based photographer Anthony Blasko has been attending the festival, which takes place in the aptly named Plant City, since 2013, and has made a habit over the years of photographing the other attendees. These...
Get the most from any shoot location
It takes planning, vision, and research to source the perfect shoot location, but that’s only half the battle. Once you’re in there, the clock is ticking, and you must be creative and resourceful to get all the shots you need in the time available. “Finding the right location for a shoot is an art in itself,” begins Jonny Bateman, creative...
Evangeline Gallagher wins inaugural Folio Book Illustration Award
The brief for the inaugural Folio Book Illustration Award, launched by publisher the Folio Society to mark its 75 th anniversary, was to create an illustrated response to Edgar Allen Poe’s short story, The Masque of the Red Death. First published in 1842, the story follows Prince Prospero who decamps to his castle to evade a fatal plague known as...
What the design industry can learn from academia
Caspar Lam and YuJune Park, the founders of design consultancy Synoptic Office, have a dual career as educators at Parsons School of Design in New York. They explain how this mix of influences informs their work...
Soho bounces back to life after Covid in new exhibition
As pandemic restrictions in the UK began to lift last year, so too did the curbs on the nightlife and hospitality industries – a phase in our history documented by photographer Dougie Wallace. Known for his uncompromising high-contrast images of city life, Wallace took his infamous flashgun photography to the streets of Soho last summer to capture the area as...
In Gli Isolani, Alys Tomlinson documents age-old Italian rituals
Known for her evocative portrait photography, as shown in her previous bodies of work Lost Summer and Ex-Voto, Alys Tomlinson is a photographer with an aptitude for capturing the human gaze. Over the last two years, she has been applying this skill to a new project, titled Gli Isolani (The Islanders), which has seen her travel throughout Sicily, Sardinia and...
Why we need more creatives in the C-Suite
Are creatives the missing piece of the executive puzzle? We talk to David Droga about his first year as CEO and creative chairman of Accenture Song and explore why creative leaders should be installed at the top table...

