Panóptico de Actualidad Gráfica y Visual
It’s hard to tear your eyes away from Qianhui Yu’s alluring animations. Since graduating from the Royal College of Art last year, the animation director, illustrator and visual designer has developed a knack for creating candy-coloured worlds and populating them with intriguing characters. Born and raised in China, Yu loved to draw as a child. It was while studying new...
The people behind suicide prevention charity CALM are launching a new helpline aimed at supporting women and girls. We look at how it’s been devised and what the service is doing differently The post How to create a charity appeared first on Creative Review....
With B&Q enjoying bumper profits last year due to customers embracing DIY while stuck at home, it is now clearly hoping to repeat this trick in the gardening sector, with a new campaign focusing on its range of plants. Created by Uncommon Creative Studio, the new spot follows the agency’s Build A Life work for B&Q last summer, which emphasised...
By day, Gavin Strange works as a director and designer for Aardman Animations, and by night he operates as JamFactory, an alias which sees him indulge in his love of side projects. Here he tells us how he does it The post Gavin Strange on balancing the day job with passion projects appeared first on Creative Review....
Established in 1888, Fedrigoni has a longstanding relationship with the creative industries. The Italian paper company’s products are used widely for everything from printing and publishing to bookbinding and packaging. The company commissioned Pentagram partner Harry Pearce to create its new global brand, bringing together its sub-brands (including recently acquired businesses such as Ritrama) and creating a new visual identity...
Advertising is known for its long hours culture, where creatives give their all to their clients. But does it really have to be so painful? The post Do you have to suffer for your ads? appeared first on Creative Review....
Fresh from releasing her first book, we speak to Manjit Thapp about using illustration as a tool to express emotions, and how she creates her distinctive artworks using a combination of analogue and digital media The post Manjit Thapp on the emotional power of illustration appeared first on Creative Review....
Fresh from releasing her first book, we speak to Manjit Thapp about using illustration as a tool to express emotions, and how she creates her distinctive artworks using a combination of analogue and digital media The post Manjit Thapp on the emotional power of illustration appeared first on Creative Review....
There is an unshakeable sense of intrigue that imbues Hudson Christie’s work. At first glance, you’d be forgiven for thinking that his playdough-inspired creations are digital renders, but delve a little deeper and it’s clear that there is more to his illustrations than meets the eye. Growing up in Canada, the illustrator describes himself as being “less athletic, more anxious”,...
It takes over 30 seconds before you first glimpse a car in this new F1 ad. Instead, tension is built by focusing on close ups of fans, drivers and pit crews’ reactions as they are shown watching the sport. The core emotion on show is a kind of agony, which sits at odds with the new tagline for the season,...
The New York arm of global agency Design Bridge has created a new identity system and packaging design for New Holland Brewing Co. The brewery and beer brand is based in Michigan, specifically a small city called Holland, which some locals affectionately refer to as New Holland after the beer, as the agency found during a trip. The new identity...
In the latest article in our series exploring how working life differs for creatives at in-house agencies, we hear from Ed Morris, ECD at draftLine Europe, the in-house agency for brewer AB InBev The post The In-House Life: Ed Morris, AB InBev appeared first on Creative Review....
