Panóptico de Actualidad Gráfica y Visual
The Carmignac Photojournalism Award annually funds the production of an investigative photo reportage project on human rights violations, and geostrategic issues in the world. For its tenth year, the award is dedicated to the Amazon and the issues related to its deforestation. Italian photojournalist Tommaso Protti was given the $50,000 grant to complete the work, and, accompanied by British journalist...
Scent is widely acknowledged as being one of the most powerful senses for evoking memories, a notion that informs the Scents of Belonging series, created for Choose Love for World Refugee Day on June 20. The three candles each have a distinctive scent, inspired by three memories. A Kitchen in Damascus, Syria, is created with fragrances of cumin, mint, tomato...
Despite the dominance of digital, the humble sketchbook is still a vital tool in making creative work. Here, we speak to three creatives about how working in a sketchbook is an important part of their process and also their favourite books to work in The post The role of the sketchbook in creative work appeared first on Creative Review....
In the past, sport ads and photography were largely focused on men and competitiveness. But recent campaigns and projects have seen a more nuanced way of approaching the subject emerge, with space for women to shine too (with sweat) The post How brands and photography are expanding sport appeared first on Creative Review....
Founded in 1994, London-based Fine+Rare has established itself as one of the leading online platforms for buying and selling fine wine and spirits. Writer and editor Gavin Lucas and creative director Alan Aboud first worked with the business on its rebrand several years ago. Publisher Patrick O’Connor has now brought the duo on board again to work on a new...
If there is one industry that was immediately undone by the coronavirus pandemic, it was travel. With countries around the world entering lockdowns, flights were grounded and thousands upon thousands of holidays had to be cancelled. While many customers were sympathetic with the plight of airlines and holiday companies who had to deal with sorting out the mess, it quickly...
We speak to the teams behind Victory Journal, Spiral and Glorious about how they are helping reshape perceptions of sport through a combination of insightful editorial and striking visuals The post The indie mags that are changing the face of sport appeared first on Creative Review....
In her latest Exposure column, art director Gem Fletcher profiles Melbourne-based photographer Ying Ang – who explores the transition to motherhood through the lens of biological, psychological and social identity The post Exposure: Ying Ang appeared first on Creative Review....
Described as both ‘the artbook for football fans’ and ‘the football book for art lovers’, Muddy Dance is a collection of vernacular photography compiled by artist and ad creative Erik Kessels. The book features photographs of footballers performing dives, jumps and leaps. With no footballs in sight, the emphasis is instead placed on the elegant forms that the players unconsciously...
To promote the new initiative, Oslo-based ad agency Try has created a striking ad campaign which features a TV spot and posters showing Ikea feature in trash piles across Norway. The ads highlight the Ikea products within the piles of junk and then label them with where they were found, what work needed doing to bring them back into use,...
Sky Creative’s Simon Cole explains the process behind making sports promos, including how to appeal to younger audiences and why he takes parodies on the chin The post How to make a thrilling sports promo appeared first on Creative Review....
Photographer Simon Norfolk used to photograph conflict zones and spent ten years in Afghanistan, Bosnia and Iraq to capture ruined landscapes and the impact military invasion had on daily lives. A couple of years ago the charity Project Pressure approached Norfolk to take what he knew about conflict and apply it to glaciers. “On the surface it seemed like a...
