Panóptico de Actualidad Gráfica y Visual
Cephas Williams and mental health charity Mind in Hammersmith, Fulham, Ealing and Hounslow in London have teamed up one year on from the murder of George Floyd to promote a message of hope from Black boys in the community. The World I Want to See is a collection of letters that came out of a series of workshops co-facilitated by...
Shelter’s new brand identity is created by Superunion and features a red arrow formed by brushstrokes. The intention is to bring a sense of the activism that was at the heart of the charity when it was formed in the 1960s back to the logo, while still referencing the shape of a roof which was a central part of Shelter’s...
The new positioning is created by Wieden + Kennedy London, and features an exuberant new commercial with a voiceover by Stephen Fry. With the work, Sainsbury’s aims to stress that its offering is both good for people but also for the planet. The spot, directed by Filip Nilsson, features striking and colourful shots of healthy food alongside the black-and-white imagery...
The new positioning is created by Wieden + Kennedy London, and features an exuberant new commercial with a voiceover by Stephen Fry. With the work, Sainsbury’s aims to stress that its offering is both good for people but also for the planet. The spot, directed by Filip Nilsson, features striking and colourful shots of healthy food alongside the black-and-white imagery...
The identity is designed to help Stonewall – which was founded in 1989 – continue to fight for the rights of LGBTQ+ people, in recognition that the organisation’s work has become more complex in recent times. Over the years, the organisation has campaigned for equal rights around marriage, adoption and inclusive education – but now faces rising levels of intolerance....
The identity is designed to help Stonewall – which was founded in 1989 – continue to fight for the rights of LGBTQ+ people, in recognition that the organisation’s work has become more complex in recent times. Over the years, the organisation has campaigned for equal rights around marriage, adoption and inclusive education – but now faces rising levels of intolerance....
The identity is designed to help Stonewall – which was founded in 1989 – continue to fight for the rights of LGBTQ+ people, in recognition that the organisation’s work has become more complex in recent times. Over the years, the organisation has campaigned for equal rights around marriage, adoption and inclusive education – but now faces rising levels of intolerance....
The identity is designed to help Stonewall – which was founded in 1989 – continue to fight for the rights of LGBTQ+ people, in recognition that the organisation’s work has become more complex in recent times. Over the years, the organisation has campaigned for equal rights around marriage, adoption and inclusive education – but now faces rising levels of intolerance....
When Franklin Loufrani trademarked the now iconic smiling face symbol in 1971, he coined the term ‘Smiley’. Over the following five decades, The Smiley Company has evolved into a global lifestyle licensing brand with a defiantly optimistic outlook. A simple mantra launched the brand to the world: ‘Take the Time to Smile’. “Back then, this was meant in the most...
Victo Ngai is an LA-based illustrator from Hong Kong and she’s created editorial illustrations for titles such as the New York Times and New Yorker, while also working on storyboards and animation art for the likes of NBC and Dreamworks. “I was an only child born to working immigrant parents. We moved around a lot when I was little so...
In today’s complex media landscape, creatives are often expected to work across multiple mediums. CR speaks to those who’ve broadened their practice to understand the benefits and challenges of the multi-disciplinary life The post The ups and downs of being a hybrid creative appeared first on Creative Review....
Running as part of the newly launched Bristol Photo Festival, Island Life is a group exhibition that reaches into the Martin Parr Foundation’s collection to paint a fascinating picture of the post-war period through to today. Parr himself is surprisingly absent from the list of exhibiting photographers, yet with images by over 60 photographers included in the show, it offers...
