Panóptico de Actualidad Gráfica y Visual
Coin is a contemporary font superfamily comprising 36 fonts and 4 variable fonts. The type system includes weights ranging from Thin to Black as well as Expanded styles, making it suitable for a wide range of applications including branding, graphic design and web design. The international character set contains more than 650 characters and numerous currency symbols, including the Bitcoin...
Eregalle is a contemporary typeface that explores how regional visual culture can inform typographic form without resorting to historical imitation. Developed through research into and early printed matter, the project asks how cultural specificity can be embedded at the structural level of a typeface rather than expressed through ornament or explicit reference. The project takes its name from Eregalle, an...
In a landscape defined by softened edges and calibrated restraint, Serrucho cuts through with intention. Not smooth, not polite, but sharpened. This new variable typeface from In-House International foundry spans eight weights that move from solid, blocky authority to spiky, kinetic chaos. Named for the handsaw it references, Serrucho quite literally shows its teeth—starting controlled and ending feral. The journey...
From April 21 to 22, we had the pleasure of being invited by Fujifilm to Milan during the city’s Design Week. Milan represents the ideal place to showcase a design approach that puts people at the center, focusing on their real needs and the ongoing dialogue between innovation, culture, and responsibility. With this event, Fujifilm aimed to convey the essence...
From June 6 to 13, 2026, the exhibition New Design from Düsseldorf 2026 will present over 50 projects from the programmes New Craft Object Design, Communication Design, Retail Design and Exhibition Design at the Faculty of Design of the Peter Behrens School of Arts at Hochschule Düsseldorf–University of Applied Sciences, at the NRW-Forum Düsseldorf. The works on display have been...
The Contemporary Spanish Poster project brings together a selection of contemporary designers whose work repositions the poster within a culturally relevant context. What connects these positions is a shared attitude. The poster is not merely a carrier of information, but the expression of an independent and distinctive visual truth, often rooted in culture and always aware of context and the...
In February 2024, a daily commute to work by bicycle became the starting point for an ongoing photographic and design-based exploration. What initially began as a practical shift in routine gradually evolved into a structured way of observing and documenting everyday movement. Through photography, every reason for being late was recorded. Beyond the obvious delays, the work captures the subtle...
In an era where connection is effortless, intimacy often feels distant. Surrounded by countless digital voices, we may find ourselves more isolated than ever. Hiroshi Imaeda is a Japanese graphic designer and art director whose practice spans brand communication and experimental visual research. After working at agencies in Nagoya and Tokyo and later at Interbrand Japan, he founded PENETRATE in...
On 22 May 2026, the second edition of the Nobody Reads This Art Book Fair opens at the Ujazdowski Castle Centre for Contemporary Art in Warsaw. Following last year’s strong debut, which drew over 5,400 visitors, the fair returns with an expanded and more international focus. Over the course of three days, Nobody Reads This will bring together more than...
The task: create a poster in just two hours—without knowing the tools, without prepared content, and without even a headline. The only starting point: CONSUMERISM. Under the guidance of Prof. Lars Harmsen, this intense short workshop took place at the Design Department of National Taiwan Normal University. Before the hands-on session, Marian Misiak and Lars Harmsen gave a lecture introducing...
Bremen, 2000. Ingo Krepinsky and Stefan Krömer launch Die Typonauten. Desktop publishing is coming of age. QuarkXPress dominates layouts. Apple computers are standard. Digital workflows replace montages and traditional typesetting. Designers finally control the entire production process. The stage is set for a new generation of creatives. Fast forward 25 years. The industry is shifting again. AI is reshaping workflows,...
For the first time, the see-Conference took place under the guiding question: What does design have to do with democracy? On Saturday, April 25, the 20th edition of the conference once again transformed the grounds of the Schlachthof Wiesbaden into a dense field of ideas, images, and discussions. Designers, artists, architects, filmmakers, and theorists came together to explore how deeply...
