diariodesign

10 novedades en lámparas portátiles de diseño contemporáneo.

Las lámparas portátiles han conquistado tanto terreno que ya prácticamente no se concibe una luminaria de mesa que no tenga su versión batería. Este 2022 viene cargado de nuevos lanzamientos, así como de viejas glorias que se modernizan prescindiendo de cables. Hoy, nuestra Selección Diariodesign va dedicada a estos pequeños diseños take away que nos […] La entrada 10 novedades...

Historia del logo de Vans

Vans es una compañía que se dedica principalmente a la fabricación de calzados y ropa como sudaderas o camisetas. Su púbico objetivo está centrado en la comunidad skater, además de otros deportes urbanos. El logotipo de la compañía se remonta a los comienzos de la compañía cuando únicamente era una tienda de equipamiento en colegios de Estados Unidos. No fue...

slanted

Super Tramp

The typeface Super Tramp by Vivian Dehning is a serif font, which pridefully takes up space with wide letterforms, generous tracking, and lively, multifaceted swashes. The idea behind the concept is to reflect diverse characters and identities as well as to encourage the dismantling of biases. With its round and smooth as well as angular and sharp shapes contrasts complement...

creativereview

A new Fondation Cartier exhibition traces Graciela Iturbide’s 50-year career

Autorretrato, Desierto de Sonora, México, 1979. All images courtesy Fondation Cartier Graciela Iturbide has been taking pictures since the early 70s, having originally enrolled as a film student before she discovered photography. Over the course of the decade, she photographed many Indigenous Mexican communities, in some cases living amongst them for extended periods of time, or returning to build strong...

creativereview

A new Fondation Cartier exhibition traces Graciela Iturbide’s 50-year career

Autorretrato, Desierto de Sonora, México, 1979. All images courtesy Fondation Cartier Graciela Iturbide has been taking pictures since the early 70s, having originally enrolled as a film student before she discovered photography. Over the course of the decade, she photographed many Indigenous Mexican communities, in some cases living amongst them for extended periods of time, or returning to build strong...

creativereview

A new Fondation Cartier exhibition traces Graciela Iturbide’s 50-year career

Autorretrato, Desierto de Sonora, México, 1979. All images courtesy Fondation Cartier Graciela Iturbide has been taking pictures since the early 70s, having originally enrolled as a film student before she discovered photography. Over the course of the decade, she photographed many Indigenous Mexican communities, in some cases living amongst them for extended periods of time, or returning to build strong...

creativereview

A new Fondation Cartier exhibition traces Graciela Iturbide’s 50-year career

Autorretrato, Desierto de Sonora, México, 1979. All images courtesy Fondation Cartier Graciela Iturbide has been taking pictures since the early 70s, having originally enrolled as a film student before she discovered photography. Over the course of the decade, she photographed many Indigenous Mexican communities, in some cases living amongst them for extended periods of time, or returning to build strong...

creativereview

A new Fondation Cartier exhibition traces Graciela Iturbide’s 50-year career

Graciela Iturbide has been taking pictures since the early 70s, having originally enrolled as a film student before she discovered photography. Over the course of the decade, she photographed many Indigenous Mexican communities, in some cases living amongst them for extended periods of time, or returning to build strong relationships. As her career progressed, Iturbide began to move away from…...